Tag: review

The Last Watch: A Novel Of The Divide by J.S. Dewes

The Last Watch (The Divide Series Book 1) by [J. S. Dewes]

This book first came to my attention thanks to a “Big Idea” post on John Scalzi’s blog Whatever. In that post, Dewes explained that the original inspiration for the book came from a single line sung by Johnny Cash in the song “Highwayman.”

“I’ll fly a starship across the universe divide.”

That instantly hooked me because like Dewes I’ve listened to that song many times and thought that there must be a story somewhere in that line. Turns out Dewes found it.

The Last Watch follows a group of Sentinels, soldiers sent to stand guard at the edge of the universe as a punishment. That’s how Adequin got there at least. The other POV character, Cavalon, was once the heir-apparent to one of humanity’s royal houses, THE royal house in fact, or as close to this universe has to one. Forcing him to enlist in the Sentinels was a convenient way to get rid of him.

In a way, both Cavalon and Adequin are out of place in their current posting and are in conflict with each other. At the start, Adequin is trying to beat Cavalon into an acceptable soldier and Cavalon is just trying to be…Cavalon? He really wants to be better he just can’t seem to keep his mouth shut.

Both of them will learn a lot by the end of the book. They accomplish a lot too. In this book, Dewes manages to tell a small story with large implications. I think that’s a skill. We are so used to protagonists with outsized importance. The characters that Dewes created do have a great deal of importance, but they have also been completely relegated to the edges of society. And I mean it when I say edges.

The book’s back cover promised an existential threat that only the Sentinels could avert. It didn’t disappoint. There are a lot of ideas in this book coupled to a lot of fun. The dialogue is great, the ideas are better, and I can’t wait to see what happens in the second book. You should go read it. Right now.

Love, Death & Robots: The Tall Grass

It’s a little early for me to say how I feel about the second season of Netflix’s Love, Death & Robots. Each episode may be short, but each presents us with so many ideas that they need a few viewings to really sink in. But I don’t think it’s too early to say that The Tall Grass is my favorite episode of this new season.

The episode’s plot is beautifully simple. A man is on a train that has run out of steam. While the train is stopped, he decides to step off the train for a quick smoke that the conductor only begrudging allows. But he soon wanders off into the tall grass beside the tracks where he is chased by strange monsters, only rescued by the conductor as the train starts moving again. We then learn that the train regularly runs out of steam along this particular stretch of track and that the conductor has had to deal with these monsters before.

It’s a simple story, and it leaves us with questions. In short, it’s a perfect short story. It gives us just a taste of excitement and mystery in a way that causes our minds to fill in the blanks. For a writer, it’s the perfect story, the kind that makes you imagine the wider world that the story hints at.

Go watch it.

Zima Blue by Alastair Reynolds versus Zima Blue from Love, Death & Robots

I’ve been on a bit of an Alastair Reynolds kick lately, mainly centered on the author’s revelation space books. As usual, whenever I get invested in a new series, I seek out more in search of more doses of dopamine, which led me to purchase a collection of short stories that Reynolds has written over the years. This endless search for dopamine brought me back to one of my favorite Netflix originals; Love, Death & Robots.

Love, Death & Robots is a Netflix original series consisting of short episodes that bring science fiction short stories to life. Alistair Reynolds had two stories featured in the first season, one of them being Zima Blue.

The story is about a cyborg artist in the far future named Zima. It is told from the perspective of a journalist who has finally been granted an interview with the reclusive artist on the eve of the unveiling of his final work. Zima, we are told, began his work in painting portraits of the cosmos before graduating to increasingly abstract works featuring his trademark blue color, works so large that a single mural could encapsulate a planet. But the story is not so much about Zima’s art as it is Zima’s search for his truth, and in the written version, it is also about how Zima inspires the journalist to search for her own truth.

Both versions of the story are good. Netflix’s version portrays Zima’s story in a much clearer fashion than Reynolds did. However, I can’t help but feel that the story’s message is lost in the retelling. The story is not just about Zima’s search for truth; it is also about his interviewing coming to grapple with what the truth is. Zima, for example, asserts that the falsehoods created by our imperfect memories are what allow truth to come about. Truth in art anyway.

Both versions of the story are great, and I recommend both. Both make the audience ask questions, but I recommend reading the original for a complete formulation of that question.

Five Months with the Drop Alt

There are a lot of mechanical keyboards out there. Many of them are “for gamers,” and you can find a keyboard with that gamer aesthetic for under $100. However, if you start looking for enthusiast keyboards, the prices can quickly get into hundreds or even thousands of dollars.

Why are these so expensive? It’s really a matter of supply and demand. Enthusiast mechanical keyboards are a niche market. Many designs are either made by small companies or by enthusiasts. Many of these kits also need to be assembled by the user. The selection and soldering of components can take a lot of time, knowledge, and tools. So if you have a few thousand dollars you can pay someone to build it for you.

Luckily, as the hobby gains steam, there are more and more options for people who want to dip their toes in the mechanical keyboard ocean. One of these options is the Drop Alt.

What is the Alt?

The Drop Alt is a hot-swappable mechanical keyboard, which means that the switches can be added and taken away without soldering. They just pop into place. As soon as I learned this, I was sold, I ordered the high-profile version without switches, but a low-profile variant is available as well.

Once I had the board picked out I went with switches. I knew I wanted linear switches, switches that press down without a built in “clicky” sound of a tactile bump. I settled on the Gateron reds. These switches were great, but I eventually swapped them out for Gateron blacks. This was just due to personal preference, I knew by this point that I like linear switches but I wanted a switch with more actuation force. This is the great thing about the board being hot-swappable. If you aren’t sure what kind of switch you like you can try another.

The keycaps I picked out were the the Drop + Matt3o MT3 /dev /tty keycap set.

I picked these out because I liked the color scheme and I have been extremely happy with them. The PBT plastic that they are made of is durable and the keycaps themselves are nicely contoured for comfort during extended writing sessions.

Mods

One thing I knew going into this is that some enthusiasts have complains about the sounds that some of the keys on the Alt make. Most of these issues relate to the stabalizers, the metal bars that help hold larger keys like shift and enter steady. They default stabalizers on the Alt have been known to rattle. Now, this may or may not bother you, but eventually, it started to bother me, and so I decided to make a few modifications.

The first thing I did was lube all of the stabilizers so that they would move more smoothly. I used a small paintbrush and some Teflon grease I keep around for my trombone slide, but many recommended some kind of krytox grease.

Then I did the bandaid mod. This was considerably more annoying to do, so I only did it on the space bar, which was the one that still annoyed me the most when I was done lubing the stabilizers. The bandaid mod is simple. All you do is cut the pads off of a couple of bandaids and place them between the base of the stabilizers and the circuit board to cushion the stabilizer’s impact against the circuit board when you type.

These mods might sound complex, but they really aren’t. I just made them difficult because I did them impulsively and didn’t really think about what my plan was before I started.

Is the Drop Alt Worth Buying?

In my opinion, absolutely. I wanted an excellent keyboard, one that I could customize to my liking and occasionally tinker with. I was not disappointed. If you don’t want to dip your toes into assembling your keyboard, you might be interested in something like the RK61, but I whole heartily recommend the drop alt.

Buy the Alt if you want:

  • To experiment with different types of switches.
  • To customize your typing experience without a soldering iron.
  • To have a quality mechanical keyboard that you will likely enjoy for years to come.
  • To have something that you can both enjoy and occasionally tinker with.

If you go with the high-profile variant I recommend getting some kind of wrist rest as well to enhance your typing experience.